But to turn to something a little more important. Although the whole existence of the inhabitants of the valley seemed to pass away exempt from toil, yet there were some light employments which, although amusing rather than laborious as occupations, contributed to their comfort and luxury. Among these the most important was the manufacture of the native cloth,–‘tappa’,–so well known, under various modifications, throughout the whole Polynesian Archipelago. As is generally understood, this useful and sometimes elegant article is fabricated from the bark of different trees. But, as I believe that no description of its manufacture has ever been given, I shall state what I know regarding it.

^{A brownish, coarse tapa is made from the inner bark of young banyan branches}

In the manufacture of the beautiful white tappa (1) generally worn on the Marquesan Islands, the preliminary operation consists in gathering a certain quantity of the young branches of the cloth-tree. The exterior green bark being pulled off as worthless, there remains a slender fibrous substance, which is carefully stripped from the stick, to which it closely adheres. When a sufficient quantity of it has been collected, the various strips are enveloped in a covering of large leaves, which the natives use precisely as we do wrapping-paper, and which are secured by a few turns of a line passed round them. The package is then laid in the bed of some running stream, with a heavy stone placed over it, to prevent its being swept away. After it has remained for two or three days in this state, it is drawn out, and exposed, for a short time, to the action of the air, every distinct piece being attentively inspected, with a view of ascertaining whether it has yet been sufficiently affected by the operation. This is repeated again and again, until the desired result is obtained.

When the substance is in a proper state for the next process, it betrays evidences of incipient decomposition; the fibres are relaxed and softened, and rendered perfectly malleable. The different strips are now extended, one by one, in successive layers, upon some smooth surface–generally the prostrate trunk of a cocoanut tree–and the heap thus formed is subjected, at every new increase, to a moderate beating, with a sort of wooden mallet, leisurely applied. The mallet is made of a hard heavy wood resembling ebony, is about twelve inches in length, and perhaps two in breadth, with a rounded handle at one end, and in shape is the exact counterpart of one of our four-sided razor-strops. The flat surfaces of the implement are marked with shallow parallel indentations, varying in depth on the different sides, so as to be adapted to the several stages of the operation. These marks produce the corduroy sort of stripes discernible in the tappa in its finished state. After being beaten in the manner I have described, the material soon becomes blended in one mass, which, moistened occasionally with water, is at intervals hammered out, by a kind of gold-beating process, to any degree of thinness required. In this way the cloth is easily made to vary in strength and thickness, so as to suit the numerous purposes to which it is applied.

When the operation last described has been concluded, the new-made tappa is spread out on the grass to bleach and dry, and soon becomes of a dazzling whiteness. Sometimes, in the first stages of the manufacture, the substance is impregnated with a vegetable juice, which gives it a permanent colour. A rich brown and a bright yellow are occasionally seen, but the simple taste of the Typee people inclines them to prefer the natural tint.

The notable wife of Kamehameha, the renowned conqueror and king of the Sandwich Islands, used to pride herself in the skill she displayed in dyeing her tappa with contrasting colours disposed in regular figures; and, in the midst of the innovations of the times, was regarded, towards the decline of her life, as a lady of the old school, clinging as she did to the national cloth, in preference to the frippery of the European calicoes. But the art of printing the tappa is unknown upon the Marquesan Islands. In passing along the valley, I was often attracted by the noise of the mallet, which, when employed in the manufacture of the cloth produces at every stroke of its hard, heavy wood, a clear, ringing, and musical sound, capable of being heard at a great distance. When several of these implements happen to be in operation at the same time, near one another, the effect upon the ear of a person, at a little distance, is really charming.

In “TYPEE A ROMANCE OF THE SOUTH SEAS” by Herman Melville 1846 Edition of 1892 – End of CHAPTER NINETEEN

(1) To follow and see : the manufacture of the beautiful white tapa